As we approach the end of 2024, there’s no better time to sit back during the dark winter nights and reminisce on the biggest songs to come out of the UK this year. The UK are renowned for being a cultural hub for music, responsible for some of the biggest and most notable names in the industry. From the introspective social commentaries from RAYE, Declan McKenna and The Cure to the high energy, empowering anthems from Charli xcx and Self Esteem; mxdwn UK’s ‘Top Songs Of 2024’ list has it all. This list was collated through the hard work of our writers to reflect mxdwn’s diverse audience. This year we were all living our respective Brat summers, autumns and winters, whilst the UK music scene inspired a cultural shift which will no doubt continue in 2025.
30. Wild Long Lie – Sam Fender
Anticipating Fender’s upcoming album, ‘Wild Long Lie’ paints a familiar setting in which the singer feels uncomfortable. With deep lyrics and a repeated chorus which really emphasises this uncomfortable feeling, it begs to be listened to on repeat.
29. Everything is romantic featuring Caroline Polachek – Charli xcx, Caroline Polachek
This collaboration reimagines the original with a fresh, introspective twist. Charli xcx, known for her ability to blend raw emotional depth with experimental sounds, uses this remix to emphasise the fleeting beauty in mundane experiences. Polachek’s ethereal vocals add a dreamlike quality, amplifying the song’s exploration of romanticism in everyday life.
The remix doesn’t simply revisit the original but reinvents it, showcasing Polachek’s talent for turning lyrics into atmospheric narratives. The toned down synths and meandering vocals of the track combined with the nattering observations infuse the song with the sense that the listener is eavesdropping on a phone call between friends. The intimacy is emphasised by the vultnerability of the central question: “Everything’s still romantic, right?” It encapsulates a longing for reassurance amid life’s unpredictability, a familiar feeling for everyone in their twenties. This partnership between two avant-garde artists pushing generic boundaries feels both spontaneous and deeply intentional, making the track a musical meditation on finding beauty in imperfection.
28. BACKBONE – Chase & Status, Stormzy
This year saw electronic duo Chase & Status team up with Grime legend Stormzy to create their electrifying D’N’B single, ‘BACKBONE’. Chase & Status’ signature electronic style is elevated by Stormzy’s rap flow and thoughtful wordplay. The collaboration was highly anticipated and did not disappoint, given both act’s reputation of creating tracks with high-energy and danceability. The boldness of ‘BACKBONE’ earned the track a number one spot of the UK Singles Chart and was subsequently one of the biggest D’N’B tracks of the year. As the first time both acts have collaborated, the potential for a future collaboration remains high given the success of ‘BACKBONE’.
27. A Slight Geometry – 65daysofstatic
‘A Slight Geometry’ is a masterclass in experimental composition, evoking a sense of futurism and abstraction that aligns with 65daysofstatic’s exploration of the intersection between technology and art. The title hints at an interplay of precision and fluidity, mirrored in the music’s structured yet unpredictable patterns. With no melodies, the track instead conveys emotion through intricate textures and dynamic shifts, creating a sense of tension and release. Hypnotic in its minimalist approach, the piece builds on repetitive motifs and overlapping rhythms, creating a sense of motion and depth. Pulsating synths and glitchy effects create an otherworldly atmosphere, while subtle guitar lines add a contrasting organic warmth, punctuated by strategic pauses. The absence of vocals and conventional structure allows the listener to interpret the piece freely, allowing for an individual connection to its abstract narrative. As the fourth track on 65daysofstatic’s ‘Utopian Frequencies’ album, ‘A Slight Geometry’ exemplifies their commitment to innovation. It pushes the boundaries of post-rock and experimental music, delivering an emotional and immersive experience through unconventional forms and soundscapes.
26. Many Doors To Hell – Bruce Dickinson
Fans of old-school metal and Iron Maiden will enjoy this new offering from singer Bruce Dickinson’s latest album ‘The Mandrake Project‘. Slower than his group’s trademark galloping guitars and drums, ‘Many Doors to Hell’ turns up the hard rock theatrics with the iconic frontman’s vibrato vocals and incredible range on display. Pulling out all the stops, we get a downtempo breakdown, some shredding guitar and a classic rock pumping drum and riff moment before the last chorus. The lyrics that would probably have added to the “satanic panic” hysteria seem easy-going compared to today’s music. But there is some satisfying nostalgia in hearing someone belting dramatic poetry about the underworld over power chords.
25. ‘I Know’ – Trent Reznor, Atticus Ross
The release of Challengers in 2024 was a cinematic moment that resonated deeply with many people, not just for its compelling performances by Zendaya and Josh O’Connor but for its unforgettable score. When the film debuted in the UK on April 26th, it captivated viewers with how seamlessly the music elevated its storytelling and the track ‘I Know’ emerged as an unexpected standout, embodying a powerful sense of nostalgia. It’s a composition that lingers, bringing with it a flood of emotions and transporting listeners to a time and place they might not have realised they were yearning for. Challengers and its score perfectly capture moments that feel ordinary but grow more meaningful with time. It stands as a testament to how a well-crafted soundtrack can leave a profound and lasting impression, making the film and its music one of the year’s most poignant releases.
24. Under The Skin – Calva Louise
The multi-cultural British band, Calva Louise released their single ‘Under The Skin’ in April. The track is sonically hypnotic as it contemplates narratives of freedom. This was made a vocal point in the music video of ‘Under The Skin’ which exhibits a Sci-fi themed cinematic masterpiece through a conceptual storyline with characters and their counterparts. ‘Under The Skin’ obtains many melodic diversions showcasing Calva Louise’s talent in blurring genres. Although occupying the relentless aggression of stereotypical metal, ‘Under The Skin’ fuses electronic rhythms, a meticulous piano instrumental and powerfully executed vocals to create a piece which is distinctively Calva Louise.
23. Everything and Nothing – SOFTPLAY
The alternative rock song ‘Everything and Nothing’ delves into themes of grief, loss, and rebirth, inspired by personal tragedies experienced by the band members. The track features a mandolin and violin, lending the song a folk-tinged sound reminiscent of nostalgic 90s tracks like ‘Losing My Religion’ by R.E.M. The sombre, acoustic tone is complemented by raw, almost confessional vocal delivery, making the song feel intensely intimate. It’s an important track for 2024 as it stands as a reminder that heavier music can also be sonically creative, blending influences from other genres, and it can be personal as a healthy outlet for grief and anger.
22. Big Man – Self Esteem, Moonchild Sanelly
Renowned for releasing empowering experimental-pop tracks, Self Esteem did not disappoint with the release of ‘Big Man’ featuring Moonchild Sanelly, back in June. The track features a punchy beat with arguably, one of the catchiest hooks of the summer. The lyrical repetition of “I’m a big man” refers to the song’s hypothetical man (whose perspective the song is written from) who supports their partner, champions women whilst being fully secure in his manhood. This ‘Big Man’ energy is exuded within the satirical wit of the track’s accompanying music video, which sees Self Esteem and Moonchild Sanelly take on stereotypically ‘feminine’ roles whilst appearing stereotypically ‘masculine’ in oversized suits – suggesting modern gender roles intersect components of femininity with masculinity and vice versa. The collaboration between the pair is electrifying, their confidence is enticing yet infectious – creating the perfect empowering track for listeners.
21. One Hand Clapping – Paul McCartney, Wings
Taken from the album of the same name, ‘One Hand Clapping’ is perhaps the closest we’ll ever get to a Lennon-McCartney “sound” from the mid ’70s. Lennon famously wanted to return to the raw rock-and-roll roots of The Beatles’ early covers, while McCartney leaned toward experimental sounds like those on McCartney II. This track bridges those approaches, blending swampy blues-style bass with electric guitar and shimmering synths.
The album, recorded 50 years ago, was finally released officially this summer, though bootlegs have circulated for years. While some argue unreleased material from the past resurfaces only because it wasn’t good enough at the time, that’s far from the case here. The album offers a fascinating glimpse behind the scenes of a McCartney recording session. It’s an interesting contrast to the recent Lennon box set, ‘Mind Games: The Ultimate Collection’, which features six versions of the same songs—and don’t forget the £999 speaker sold alongside it.
20. My Fun – Suki Waterhouse
The upbeat and playful track ‘My Fun’ is about embracing joy and celebrating love, particularly finding a partner who appreciates your unique quirks and matches your sense of fun. With lyrics that touch on light-hearted and intimate moments, it encapsulates a carefree and adventurous spirit. Musically, it features a soulful groove, a strong bassline, and a catchy, vibrant melody.
There is a sense of hope that this song brings to its listeners, especially to those who know about Suki Waterhouse’s dating history. Suki reminds us that relationships should feel easy and fun as she has now found her perfect match. ‘My Fun’ was the perfect summer 2024 song that cheered you up by its purity and sweetness.
19. A Starving Heart – My Dying Bride
The haunting ballad of despair, ‘A Starving Heart’, delves into longing and a burning, unfulfilled desire. With melancholic melodies and soul-crushing lyrics that create a dooming atmosphere, My Dying Bride narrate feelings of empathy, hopelessness and isolation in a truly career-defining song that is perhaps the highlight of their latest album ‘A Mortal Binding‘.
18. Blessed – Bashy, Skrapz, Haile
After furthering his acting career over the past decade with notable roles in Them, Black Cake, and of course Top Boy, UK grime/hip-hop legend Bashy made a long-awaited return to music with his new album ‘Being Poor Is Expensive’. ‘Blessed’ is a hooky highlight on the tracklist. On a record that collages different samples to colour its background, this track incorporates garage classic ‘Crazy Love’ by MJ Cole, slowed into an ethereal loop above deep sub bass and dancehall drums – underlining his adolescence in London during the 2000’s. He reminisces on his past, from “Harlesden to Hollywood Hills”, while meditating on a world where the odds are still stacked against his community, through drugs, poverty and violence – “here man will kill you for your watch, sign of the times”. Like the rest of the album, Bashy manages to tell personal anecdotes while weaving in bigger themes of British culture. Haile also provides a catchy chorus and Skrapz a solid feature verse with his nonchalant and deep delivery. Now with a few MOBO nominations for 2025, hopefully Bashy can claim some accolades for such a thoughtful, conceptual comeback.
17. Rain – Wunderhorse
Wunderhorse has been a standout band this year, with their music earning a prominent place among the top songs of 2024.Their gritty, raw sound immediately captivates listeners and their debut album, ‘Cub’, further highlights their talent and artistry. However, this year saw the release of ‘Midas’ and among the tracks, ‘Rain’ emerged as a striking favourite. Its haunting quality, driven by Jacob Slater’s soulful voice paired with the atmospheric tone makes it feel cinematic. It’s a song that sticks with you, conjuring imagery of overcast skies and an immersive, melancholic vibe. ‘Rain’ perfectly sets the tone for the rest of the album and shows just how masterful Wunderhorse is at creating music that stays with you long after it ends. With 2025 on the horizon, Wunderhorse appears poised for even greater achievements, promising exciting developments ahead.
16. POP POP POP – IDLES
‘POP POP POP’ begins with the intriguing line “Freudenfreude,” a German term meaning “joy for someone else.” While often labeled punk, IDLES are impossible to truly place in a single category. The track blends together uplifting messages, atmospheric soundscapes reminiscent of Radiohead and Brian Eno, and a rhythmic drum beat akin to The Streets.
The stripped-back nature of the song makes it an outlier in 2024, relying on sustained, resonant chords and a driving drumbeat. Joe Talbot’s delivery is more spoken word than sung, creating an almost hypnotic mantra of positivity. It’s a bold statement of simplicity and substance in a world of overproduced sound and pretend punk.
15. Kool Aid – Bring Me The Horizon
As an energetic, bold track with provocative lyrics, Bring Me The Horizon’s ‘Kool Aid’ challenges and questions modern society, exploring difficult topics like self-destruction. The song presents both metal-like and electronic influences, expressing through its words and sounds the chaos that is life, inviting the listeners to embrace it.
14. Mood Swings – Little Simz
Little Simz excels in pushing boundaries within Hip Hop and this is no exception with ‘Mood Swings’, which became the introductory track for Simz’s 2024 EP ‘Drop 7’. The track showcases futuristic rap with its powerful production and perfectly conducted vocal. The amalgamation of vocal and instrumentation is impeccable, sonically personifying the very ‘Mood Swings’ Simz makes note of. The track’s utilisation of a synthesizer and dancehall drums give the track a flare of Afro-funk, which with the rapidly changing melodies alongside a seamless vocal delivery, pairs well with the track’s ever-changing direction – exhibiting an exquisite listening experience. Simz conveys an outward introspection which is enhanced by the breaks in vocal flow and instrumentation, ‘Mood Swings’ characterises the sporadic processes of navigating the complexities of living.
13. Starburster – Fontaines D.C.
Through its integrational elements of the genres of art rock, trip hop and postpunk, Fontaines D.C. portray a dynamic and layered composition within ‘Starburster’. This fusion reflects the band’s willingness to experiment and push the boundaries of their genre after previously being labelled as a post-punk band predominantly. Lyrically, ‘Starbuster’ delves into the experience of a panic attack. The song captures the shock of trying to grasp reality amidst chaos, with repetitive phrases and breath sounds in the chorus adding an intimate and personal touch. ‘Starburster’ significantly influenced the music landscape of 2024 by inspiring other artists to explore diverse musical styles. The track’s success contributed to the broader recognition of Fontaines D.C. as a leading force in contemporary music, encouraging a resurgence of interest in art rock and post-punk influences.
12. Humble As The Sun – Bob Vylan
In an opener to their new album that suits the smiling, flowery artwork, ‘Humble As The Sun’ feels like a blue sky breaking a new day – the group take their punky, distorted rock down a few notches, kicking off their album with churchy organs, atmospheric pianos and punchy, rolling hip hop drums. And what a way to start the record, with one of the most sincere, poignant, and charismatic opening verses of the year – invoking imagery of self-love, perseverance, and race in Britain, with a biting line lamenting the dying people “broke and hungry in the island of Jamaica, while someone at Island Records made a killing off the right tracks”. The instruments and vocals crescendo from a stripped-down start, each new section adding intensity until the beautiful gospel-esque outro, with Jerub passionately singing “Black man, shine” above a jungle inspired breakbeat. Taking on a different sound without sacrificing a shred of their consciousness and personality, here they provide an intro that’s unexpectedly soul-inspired, unapologetically black, and undeniably Bob Vylan.
11. Crumbs Chaos & Lies – PIG
The bold combination of intense ferocity and sharp social commentary within ‘Crumbs Chaos & Lies’ makes it a stand out track in 2024 . Unlike many songs that adhere to mainstream rhythm and trends, this song challenges listeners with raw intensity, layered production, and an intent to confront truths about manipulation and the decaying of modern society represented in the lines, “You’re like a dog, You’re getting fed”. The track’s bold instrumentation is reminiscent of mid-1990s Prodigy, especially their ‘The Fat of the Land’ album, this comparison is no surprise given Jim Davies, responsible for some of the most sensational guitar riffs in Prodigy’s hit tracks, co-wrote ‘Crumbs Chaos & Lies’ alongside PIG. Its distinct fusion of harsh electronic textures and provocative lyrics sets it apart as a rare piece of art that is both musically innovative and thematically an urgent plea to listeners to really start becoming aware of the world around them.
10. Gas Me Up (Diligent) – Skepta
Throughout his career, Skepta has been a pioneer for UK grime, and his 2024 release ‘Gas Me Up (Diligent)’ exemplifies his ability to fuse the genre’s raw energy with mainstream appeal. By blending a classic grime beat with modern production techniques, the track highlights Skepta’s evolving artistry while staying rooted in the genre’s core. ‘Gas Me Up’ captures his relentless energy and versatile delivery, seamlessly switching between rapid-fire verses and more measured lines. Its thumping bassline and intricate rhythms drive the track forward, matched in intensity by Skepta’s forceful delivery. The dynamic progression mirrors its title, fueling a sense of momentum. The phrase “Gas Me Up” suggests boosting one’s ego, a recurring theme in the lyrics and grime culture, while also emphasising the importance of staying true to oneself, a hallmark of Skepta’s artistic identity. Intertwining UK slang and cultural reference, Skepta reinforces his connection to London and the grime scene. Skepta balances authenticity while adapting to broader audiences, ‘Gas Me Up’ reaffirms his position as a master of grime, pushing boundaries while staying true to the raw essence of grime.
9. People Watching – Sam Fender
This year, Sam Fender ended a three-year silence with the release of new music, earning a well-deserved place among the top songs of the year. ‘People Watching’ serves as the perfect prelude to what promises to be an incredible 2025 for the talented Geordie. The song is heartbreakingly beautiful, showcasing Sam’s unmatched gift for writing lyrics that evoke deep emotion, paired with infectious melodies that are impossible not to sing along to. ‘People Watching’ is unmistakably Sam Fender, a bittersweet, deeply moving reflection on life as an observer, capturing the raw grief of seeing a loved one slipping away. As he gears up for an unforgettable stadium tour at St. James’ Park and London Stadium and a year of well-deserved recognition, the anticipation for this incredibly talented artist’s continued success is palpable.
8. Frantic Zero – Satan
The traditional heavy metal song ‘Frantic Zero’ from Satan’s 2024 album, ‘Songs in Crimson’, brings high energy, complex guitar riff structures and pounding drumbeats. The lyrics delve into themes of chaos, urgency, and existential dread, which mirror global uncertainties and anxieties. The song contributes to 2024’s growing interest in traditional and speed metal and influences the direction of the genre for the year. The album as a whole has been well-received, with reviewers highlighting the band’s ability to deliver fresh material while staying true to their roots. The song is a testament to the longevity of metal bands from the 1980s.
7. Champagne – Declan McKenna
For many, leaving a major label signals challenging times ahead. Not for Declan McKenna. After spending November supporting Sabrina Carpenter on her ‘Short and Sweet’ tour across the US, McKenna is embracing his independent future. To celebrate, he released ‘Champagne’. This is McKenna’s first independent release since his breakout hit ‘Brazil’ in 2014. Announcing his departure from his label, he shared a mock newspaper front page that read: “The deal has come to its natural end. I agreed to make three albums, and I made three albums.” Currently touring in Australia, McKenna’s independent era is off to a bright start.
6. Alone – The Cure
In a triumphant return The Cure dropped a new album for the first time in 16 years this year. ‘Alone’ by The Cure, featured on their 2024 album ‘Songs of a Lost World‘, exemplifies the band’s mastery of existentially rich and atmospheric music.
The song is a haunting meditation on themes of transience and loss, reminiscent of their earlier works like ‘Disintegration‘ and ‘Faith‘. Opening with a treading tempo, ‘Alone’ layers lush textures with Roger O’Donnell’s delicate piano and Reeves Gabrels’ intricate guitar sounds, evoking a sense of celestial sorrow.
Robert Smith’s lyrics delve deeply into the fragility of human connection and the inevitability of loss, inspired in part by personal grief from the passing of his family members. The song captures a mature form of despair, contrasting the youthful anguish of Pornography. Lines like “to dream a boy and girl who dream the world is nothing but a dream” echo the ethereal melancholy of Edgar Allan Poe, blending literary and musical depth.
‘Alone’ is vital for its visceral emotional impact, it surely can take a place as one of The Cure’s most devastating and cathartic tracks to date. The song balances grandeur with subtle, intricate details, making it a standout addition to their discography.
5. The Serpent and The King – Judas Priest
As one of the most prominent heavy metal bands to come out of the UK, Judas Priest have continued to prove their prevalence within the genre through the release of their nineteenth album ‘Invincible Shield’. ‘The Serpent And The King’, the LP’s second track, captures Judas Priest’s usual relentless and fierce spirit. The sharpness of vocal delivery alongside its electrifying instrumentation exhibits the track’s theme perfectly. Judas Priest examine the power of opposites including: good vs evil, love vs hate, God vs the devil; and how good will always overcome bad, comparing such instances to our current times. ‘The Serpent and The King’’s differing sonic textures enable listeners to interpret Judas Priest’s ongoing legacy.
4. Crystal Tears – Elmiene
Oxford-born soul artist Elmiene definitely knows how to get you “in the feels”. After a prolific run this year full of singles and EP’s, a firm favourite is slow ballad ‘Crystal Tears’. He’s clearly done his homework here, with a style that lifts the best elements from multiple eras, drawing upon vintage instrumentation, 90’s R&B group vocals and jazzy neo-soul chords within one track. This single from his EP ‘Any Way I Can‘ sounds like Donny Hathaway, Faith Evans and The Internet all smoothly rolled into one cohesive sound. His echoey falsetto and dreamy harmonies are plenty, while never sounding too busy. The vibraphone and Wah-guitar melodies are a real throwback to the love songs of the 70’s.
3. Genesis – RAYE
‘Genesis’ is a poignant, multi-layered composition that delves into personal struggles, societal challenges, and the quest for hope and healing. The song is divided into three acts, blending genres such as gospel, R&B, and jazz, with lyrics that transition from introspection to broader social commentary.
In the first part, Raye reflects on the impact of social media and self-doubt, grappling with feelings of inadequacy and negative self-perception. The second section shifts to an exploration of her self-destructive tendencies, depicting struggles with mental health and substance use. The third act broadens the perspective, paying tribute to societal contributors like healthcare workers and teachers, and advocating for justice and recognition of their efforts.
The recurring plea, “Let there be light”, draws from the biblical book of Genesis, symbolizing a universal desire for clarity, positivity, and rebirth amid darkness.
‘Genesis’ is an important 2024 track as we look closer at our relationship with social media and the constant battle of comparing ourselves to others. The more we try to look better, the worse we get.
2. Better Way To Live – KNEECAP
It’s been one hell of a breakout year for hip hop trio Kneecap, their 2024 album ‘Fine Art‘ has helped propel them from troublemakers to ground breakers with its prevalent use of Irish language and large pinch of anti-British sentiment that has underpinned their ethos since their conception in 2017. Although filled with brilliantly crass lyrics, ‘Better Way To Live’ at its heart meditates on life in such a way that humour becomes a coping mechanism, a way of addressing the heaviness of the song’s themes of class and ambition without succumbing to despair. There’s a deliberate roughness to the delivery of each word, especially in the verses, where Kneecap’s voices lean more into spoken word than melodic flow. It’s as if they’re letting the words tumble out unfiltered, emphasising authenticity over polish.
These voices run alongside a production that is understated but meticulously crafted, a sonic tapestry that mirrors the lyrical themes. There’s a hypnotic, looping quality to the beat, built around minimalist percussion and a haunting synth line that feels both meditative and restless. The rhythm mirrors the cyclical nature of the song’s narrative: the endless pursuit of relief or meaning.
Although the lyrical specifics are Irish, the sentiments—of longing, frustration, and fleeting joy—transcend borders. The song asks questions that anyone in a late-capitalist, post-pandemic world might recognise: How do you navigate a world where everything is ephemeral? And how do you keep going when it feels like answers are perpetually out of reach? In its raw, unvarnished honesty, it feels less like a piece of art and more like a conversation you’d have with a friend at the pub—after the third pint, when the words come easily, and you can put the world to rights.
1. Guess – Charli xcx, Billie Eilish
Tracks from Charli xcx’s ‘Brat’ album have been talked about from nearly everyone this year, including the iconic release of ‘Guess’ featuring Billie Eilish. Although the collaboration between the two pop sensations was a surprise to fans, given the seamless arrangement of the track, it seems almost shocking the pair haven’t collaborated before. ‘Guess’ has powerful club-driven production infused with the charismatic lyricism of Charli and Eilish. The pair bounce off one another, revelling in their chemistry and explicitly owning every ounce of their sexuality.
The chart-topping track dwells on the reality of being a woman in the spotlight, and the self-awareness needed to successfully defy societal expectations. When the music video for ‘Guess’ was released, which features Eilish bulldozing into a party, strutting the streets and climbing a mountain of lingerie with Charli; it was later revealed the 10,000 unworn garments were donated to ‘I Support The Girls’, a US-based charity that provide underwear and period products to women experiencing domestic violence and hardship. ‘Guess’ captivates listeners with its provocative themes and enticing queer undertones, overtly displayed within Eilish’s verse – “Charli like boys, but she knows I’d hit it”. ‘Guess’ is a powerhouse delivered by two of the biggest names in pop and deservingly claims the top spot in our list for 2024.
