Ahead of their new album, ‘Everything Else Has Gone Wrong’, out on January 17, 2020, Bombay Bicycle Club have extended their tour of the UK and Ireland for the following year with new dates added to the schedule. These dates will see the band play venues in London, Dublin and Glasgow, bringing the total of shows to 18, starting in Cambridge’s Corn Exchange on January 20, before drawing the curtains on the UK run on February 12 at Belfast’s Ulster Hall. Two of the London dates will include appearances at the prestigious Alexandra Palace.
Their tour dates are listed as follows below.
20/1/20 – Corn Exchange, Cambridge.
21/1 – Academy, Bournemouth.
23/1 – De Montfort Hall, Leicester.
24/1 – University SU Great Hall, Cardiff.
25/1 – Academy, Leeds.
27/1 – Academy, Newcastle.
28/1 – Barrowland, Glasgow.
29/1 – Barrowland, Glasgow.
31/1 – Academy, Birmingham.
1/2 – The Centre, Brighton.
3/2 – Victoria Warehouse, Manchester.
4/2 – O2 Academy, Sheffield.
6/2 – UEA, Norwich.
7/2 – Alexandra Palace, London.
8/2 – Alexandra Palace, London.
10/2 – Vicar Street, Dublin.
11/2 – Vicar Street, Dublin.
12/2 – Ulster Hall, Belfast.
Back in August, the band released their first single as a group after a lengthy five year hiatus, ‘Eat, Sleep, Wake, (Nothing But You)‘, as they went their separate ways in pursuit of solo projects. Their last album, ‘So Long, See You Tomorrow’ came out in 2014. Lead vocalist Jack Steadman pursued a solo project under the alias Mr Jukes, and bassist Ed Nash worked with his band Toothless.
The band will be playing five dates in the fall, celebrating the tenth anniversary of their debut album, ‘I Had The Blues, But I Shook Them Loose’, from 2009. The dates are as follows below.
4/11/19 – Eventim Apollo, Liverpool.
5/11 – Caird Hall, Dundee.
6/11 – Rock City, Nottingham.
7/11 – Pavilion, Bath.
8/11 – O2 Academy Brixton, London.
They premiered the new single ‘Eat, Sleep, Wake, (Nothing But You)’, on BBC Radio 1’s Future Sounds with Annie Mac, hailing the track for having “one of the best riffs”, that they’d written, and described a “back-to-basics” style in the songwriting process.