It has been confirmed today (September 20th) that a new photography exhibition of the late great David Bowie will be unveiled next month. Entitled Rock ‘n’ Roll with Me Bowie/MacCormack 1973-76, the exhibition will take place at the Brighton Museum & Art Gallery, and will run from October 17th to June 6th 2021. 

The exhibition will comprise 60 shots of Bowie from all around the world. The exhibition will also include some archival photographs taken of Bowie on the Trans-Siberian Express.

It was Bowie’s childhood friend Geoff MacCormack who took the intimate images. After being recruited by Bowie to play in his backing band, Spiders From Mars, McCormack joined his friend for a three-year long tour, capturing priceless photographs of the Starman in the process.

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BOWIE AND GARSON AND MY DEATH “As surely as our love is bright…” Mike Garson was singled out on many occasions to perform with Bowie as a duo for a fair few memorable one offs. Back in 2016 Mike chose one such performance for an instalment of DB Deep Cut Of The Day. It’s a heartbreakingly emotional rendition of My Death from September 18th 1995, 25 years ago this evening. The occasion was a benefit for The Joseph Papp Public Theater, at The Grand Ballroom, Manhattan Center, New York. Over to Mike… + – + – + – + – + – + – + – + – + – + – + – + – + – + – + When I played the first few notes with Lorde at the rehearsal in London ALL I could think was how at times I took the gig with David for granted. I made a decision to appreciate every moment from there on. As humans that is difficult but I will continuously try. This version of MY DEATH might be the most poignant version ever. David’s voice is low and rich and creamy. Not too many fans no less the world have heard this. It is beyond gorgeous. David and I performed this in NYC for a fund raiser in 1995. I never understood why David and I never did a duet tour. Hopefully posthumously we can put out all the songs the 2 of us did together over the years. I think you might be able to play this song 100 times and never stop crying. Mike Garson + – + – + – + – + – + – + – + – + – + – + – + – + – + – + You can hear the performance here on YouTube: ‪http://smarturl.it/MyDeath1995Sep18‬ (Temp link in bio) Photos by KEVIN MAZUR @mikegarson #DBDCOTD #BowieDeepCut #BowieGarson

A post shared by David Bowie (@davidbowie) on Sep 18, 2020 at 3:54pm PDT

Despite having a clear photographer’s eye, MacCormack had no previous training in the subject when he joined Bowie on the road. MacCormack joined Bowie on numerous world tours, from Aladdin Sane in 1973, to Station To Station in 1976.

In a statement to The Guardian, MacCormack spoke on the candidity of his photographs, saying: “Those holiday snaps, as I call them, are sometimes even better than the one where he looks wonderful and heroic, which in a lot of them he does. They’re holiday snaps really.”

One of the most cherished photos in the collection is Bowie at the Hammersmith Odeon, dressed as Ziggy Starman and reading a review before going on stage. Other notable photographs include Bowie in Santa Fe, USA, during the period when he starred in The Man That Fell To Earth.

When speaking on The Man That Fell To Earth era, MacCormack relayed warmly: “You see in some of my photographs how well he looked and how happy he was…It was just one of those idyllic situations and he was enjoying working on that film and he was clearly right for it and it was all going well. That was a really nice period.”

MacCormack continued reflecting on that special time, saying “Sometimes you say: ‘Oh, I wish I would have taken more pictures.’ But I think it could have been irritating, and the attitude of the pictures would have changed…It would have become a nuisance, rather than a sporadic thing where sometimes I had the camera, and sometimes I didn’t.”

Meanwhile, Bowie’s third studio album, The Man Who Sold The World, is set to be reissued in November to celebrate the record’s 50th anniversary. The album will feature completely new artwork, as well as being renamed as Metrobolist, the title that Bowie originally wanted to give the album. 

Bowie wanted to title the album as Metrobolist as a tribute to the 1927 Fritz Lang film of the same name. Mercury Records ended up changing the album’s name at the last moment, unbeknownst to Bowie. 

The Man Who Sold The World was originally released on November 4th 1970. The fantastic album included tracks such as She Shook Me Cold, The Supermen and After All.